Described as op.4 n°1 it has been recorded 2 or 3 times, notably by Kurt Redel Quartet No.5 in F major. Score and parts (flute, violin, piano, cello ad lib) (EU).
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The sforzando alternations between G natural and G sharp in bars 46—49 must be brought out while the inner part remains piano, and the bass a determined forte.
The development section commences with the rising fourths of the opening, but then begins a swirling theme, passionately disrupting what has come before. The momentum continues in the recapitulation where upward scales both upwards and downwards in the case of the quartet version accompany the theme.
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A drop to C major at the bottom of the keyboard adds a different colour. The coda is not easy to bring off. Again you need a large hand, great control of touch at softer dynamics, and the sensitivity to make the last few bars sound like an ending rather than just an abrupt stop. The tempo is perhaps more easily chosen from the maggiore middle section whose long lines seem happier if not dragging.
The sudden piano in bar 4 is not a mistake and must be observed. A good exercise in developing finger staccato in both loud and soft dynamics is found in the G major episode. The two variants on the rondo theme that end this work are marvellous: Largo assai ed espressivo 8.
String Trio in G major, Op. Impossible - Rogue Nation Andante molto mosso 8. Apocalypse Zardoz Allegro ma non troppo, un poco maestoso 8.
Back in the Habit Turbulence 3: Violin Concerto in D major, Op. Andante con variazioni 8. Prelude to Act II 8. Harold in Italy, Op. Les nuits d'ete The Nights of Summer , Op. Le spectre de la rose The Spectre of the Rose 8.
3 String Quartets, Op.14 (Hoffmeister, Franz Anton)
Hungarian March, "Rakoczy March" 8. Allegro non troppo 8.
The Golden Circle Sleeping with the Enemy Songe d'un nuit de Sabbat: Larghetto - Allegro 8. L'Enfance du Christ, Op. I Feel Pretty 8. En vain, pour eviter les reponses ameres 8. The Rise of Thadland La fleur que tu m'avais jetee 8. L'amour est un oiseau rebelle, "Habanera" 8. Votre toast, je peux vous le rendre 8. Les pecheurs de perles Pearl Fishers: Au fond du temple saint 8. Les pecheurs de perles The Pearl Fishers: Dieu puissant, le voila! String Quintet in C major, Op.
String Quartet No. 14 (Shostakovich) - Wikipedia
The Far Side of the World String Quintet in E major, G. Polovtsian Dances - Ulyetay na kril'yahk vyetra Fly away on the wings of the wind from Prince Igor 8. String Sextet in D minor: A German Requiem, Op. Academic Festival Overture, Op. Fugue in A-flat minor, WoO 8 8. Richard Wagner said this movement: A delicate dance in compound duple meter in the key of D major , in compact sonata form based on the following folk-like theme:. In the spirit of recitativo obbligato following the key of B minor ; the modulation from B minor to E major functions as a short introduction to the next movement.
6 Quartets, Op.14 (Stamitz, Carl Philipp)
This, the central movement of the quartet, is a set of 7 variations 6 complete and 1 incomplete, with coda on the following simple theme in A major shared between the first and second violins:. In E major , this is a brilliant scherzo though in duple rather than triple time , based on the following simple idea:. Towards the end of the scherzo, there is "an astounding "passage of pianissimo sul ponticello writing for all the instruments, mostly on their highest strings. Beethoven deaf was quite capable of 'hearing' or imagining or inventing not only relationships between notes but also sonorities pure and simple.
The first subject has two main ideas:. From Wikipedia, the free encyclopedia.
Robert Winter; Robert Martin, eds. The Beethoven Quartet Companion. University of California Press. The New York Times. Retrieved 4 May